Pick by where it will be watched
| Release | Aspect | Our example |
|---|---|---|
| Short-drama apps, TikTok, Reels, Shorts | 9:16 | Blood Sun: The Fall of Kratos, High Note |
| Long-form YouTube film or feature | 16:9 | The Fall of Kalak, The Wolf Mother |
| A widescreen trailer or opening of a vertical series | 16:9 | The Emperor's Pleasure Court |
Why not crop later
A 9:16 frame cut from a 16:9 frame at the same height keeps 9/16 of 9/16 of the width, about 32% of it. Faces drift out of frame and two-shots become one-shots. Generating natively in 9:16 composes every reference, storyboard and clip for the phone.
Making both
For The Emperor's Pleasure Court we remade the opening of a vertical series in 16:9: 55 script units, the same cast sheets, and every location re-shot as 16:9 camera plates so the widescreen film matched the vertical episodes. Reusing characters is cheap; locations need new framing.
What changes in the writing
- Vertical: more close-ups and two-shots, one subject per frame, action stacked top to bottom.
- Horizontal: room for wide establishing shots, groups and movement across the frame.
- Captions: centred low in vertical; standard subtitle position in horizontal.
- Platform rules: TikTok's Drama Center required derivative materials such as trailers to be 9:16 and at least 1080p when we submitted ours, so a 720p vertical master needed upscaling for those.
Where Katechon Arc fits
Arc projects are set to 9:16 or 16:9 and compose references, storyboards and clips for that frame.
Arc has no other aspect ratios such as 1:1 or 4:5, and does not reframe a finished film automatically.